C O N C E P T

 

Inspired by the rich and colorful landscape and culture of Afghanistan, our multifunctional building proposal is excavated into the existing surroundings, facing the Buddha cliff.

 

• Integrate the new design into the existing surroundings of the World Heritage site. The cubic mass
shape follows the traditional buildings close to the site.

• The building program is divided into different levels according to function, giving access from different points.

• The internal courtyards lets light into the building and are centered around the various activities of contemplation and lounging.

 

P L A C E

 

The most interesting feature of the existing topography is the slope towards the heritage site.The slope opens up the view of the valley and also separates the upper, busier plane, from the smaller, more relaxed part. The Cultural center just as the slope is the connection between the two levels and establishes a transitional space towards the Buddha statues.

B U I L D I N G

 

The building forms a mass, which is divided into 3 horizontal levels. The top part of the roof is accessible to the public and offer a panoramic and view of the valley. Smaller spaces for everyday use are located on the upper level, of the building including spaces suitable for individuals or groups. The position and orientation allows for longer hourly usage. Skylights

and internal courtyards provide adequate natural sunlight to the different rooms and functions. The arrival level, and elongated yard is suitable a meeting point and can be used for outdoor events such as theater and other public events. The axis of upside down barrel vaulted roof has integrated skylights and follow the main hall as the visitor movement gradually moves down and reveals the sight of the Buddha Valley through the main facade.

 

Arriving at the lower level, the façade opens up, provides the beautiful views of the valley and invite from both sides of the surface. This is the level where the greater public activity is placed, including spaces such as the museum and performing

center.

M A T E R I A L S

S T R U C T U R E S

 

Construction methods and materials are based on local methods. The structure follows a rational reinforced concrete construction, containing masonry walls, which can include local workers in the process. Traditional materials appear on the roof, which is cladded with soil and the façade consisting of a clay brick shading system. These features contribute to the appearance of a monolith wedged into the slope, responding to the cliff on the opposite side.

Design team: Bence Pásztor, David Tarcali, Soma Pongor

Client – UNESCO Kabul Office
Competition 2015

 

http://bamiyanculturalcentre.org/