Sabina Suru's profile

Flowers of mold [work in progress]

This is a project based on natural materials and slow intervention over long periods of time. It is constructed as an emotional translation of nature in human therms through nature herself, since the world we live in is one we modeled over the preexisting one. Somehow, we relate to nature in a similar way to how we relate to ourselves, as a semi-passive/semi-foreign entity, that we easily detach from when the context requires a more compact attention; but to whom we irretrievably return once the unidirectional concentration rarefies. We return, as if we would draw a curtain to hide from foreign eyes - we act freely, but without the necessity of a visible gesture to prove the inner feeling, as if the scenery  outside is doubled on the inside - only, in stead of leaves, we have fragments of the perceptions of the moment lived. On the other hand, feelings also seem to turn yellow, become moldy; they deposit in a dense layer of dust or, they bloom, as time passes.
 
 
Apricot tree in blossom [mold and resin on paper, 90x65 cm, 2013]
 
 
 
 
 
 
Flowers in a vase [bittum and drawing on paper, 100x70 cm, 2012-2013]
 
 
 
 
 
 
Hill in bloom [mold and resin on handmade paper, two-faced, 80x80 cm, 2013]
 
 
 
 
 
 
Rain by the window [dust and sun decoloring on paper, 100x70 cm, 2012-2013]
 
 
 
 
 
 
Lake shore with a bird [dust and sun decoloring on paper, 100x70 cm, 2013]
 
 
 
 
 
 
Hill in bloom over night [mold and wax on paper, 100x70 cm, 2013]
 
 
 
 
 
 
Sea crevice [dust and drawing on torn paper, 100x70 cm, 2012-2013]
 
 
 
 
 
 
Flowers of mold [work in progress]
Published:

Flowers of mold [work in progress]

This is a project based on natural materials and slow intervention over long periods of time. It is constructed as an emotional translation of na Read More

Published: