Paper-cut Type
Experiment 06
It has always daunted me how type would look like if possibly dissembled and reassembled manually. Would more interesting forms be created? Would type still maintain its readability yet become more expressive when it is dissembled? These questions led me to the conception of the paper-cut type, which revolves around the method of manual typographic deconstruction. In this experiment, a conventional typeface, Arial was used to generate a variation of paper types.
Created out of randomly sliced shapes that were rearranged to form a variety of type distortions. The objective of this experiment was to explore on the number of ways that type could be broken down into to generate new hybrid forms of typographic outcomes.
