此次有机会创作了描绘东方美学与现代艺术融合的巨幅墙面插画，
2019年9月纽约时装周期间，落地于艺术氛围浓厚的纽约布鲁克林区。
用最“街头”的呈现方式，让世界看⻅东⽅美。
It’s so lucky that I have the opportunity to create
a huge wall illustration fusing oriental aesthetics and modern art.
The illustration is mainly inspired by Tang Dynasty Zhou Wei's picture of
"Zanhua Ladies" and combines the modern graffiti art.
It is located in Berry st & N 12 th st Brooklyn, New York
during the New York Fashion Week in September 2019.
I'd like to use the most street stylepresenta tion
to let the world see the beauty of the East.
这次的插画设计从无到有大概经历了快1个月的时间，前期与ICY沟通想法，草图的四五次推敲确定，从要表达的蕴意，到画面呈现紧扣东方古典与现代的冲撞和融合都要很好的呈现出来。考虑到画面元素众多，所以画面颜色和谐特别重要，这里主要是借用盛唐人物浓郁的色彩来安排画面，此处有参考各种盛唐资料以及《长安十二时辰》（为边画边看剧找了一个合理理由），而由于会涂鸦成巨幅墙面，所以细节刻画也很重要。
Oriental lucky clothes：
Oriental lucky clothes made by the ancient traditional dyeing process,
showing the unique pattern and craft of the East,
which mean the beauty has no borders.
Oriental perfume：
In front of the perfume shop decorated with ancient incense burners and incense boxes,
the ladies will bring the oriental healing perfume to New York.
It means perfume has no borders.
Oriental tea culture：
The ladies carry the Chinese tea culture and the allusion
of the floating wine cup along the winding water which means lucky.
Having brunch with refreshing Chinese tea, which means eating has no borders.
Oriental calligraphy：
The ladies appeared on the streets of Brooklyn with a freely running handwriting.
The collision of oriental calligraphy and graffiti art means art has no borders.
Oriental string:
The ladies holding a unique Chinese lute,
show up in the New York Central Park,
making friends with music. It means music has no borders.
经历了多版本的构思和草图的修改，我比较擅长用线条来呈现画面，特别对于东方文化，白描也能很好的表达婉转细腻，而颜色的对比和色彩晕染，来源于“红墙绿瓦”的中国古代建筑审美。这种巨大化的仕女融入在现代城市中的方式也想营造一种东方奇幻感。
