ALEXANDRIA
A city and an ideology founded by the Hellenic hero Alexander the Great himself in 331BC. Located on the coast of the Mediterranean, Ancient Alexandria is frequently described among historians as “the melting pot of the Mediterranean” and referred to by Ad Agyptum (near Egypt) expressing the wider cultural, religious and ethnic diversity that the old city has embraced[1]. It has also been famous for its legendary Pharos (lighthouse) and library[2] that hosted most of the influential intellects that shaped the modern western mind; writers and philosophers like, Athanathius, Hypatia, Cyril and Philo[3]. All this have served the belief that ancient Alexandria was the “creation kernel of the Hellenic civilization”.[4]
The Acropolis – Serapeum
On top of a rocky plateau, stands the high column known as “Pompey’s” pillar (accurately, Diocletian’s) marking the upper part of the great Serapeum temple[5]. The Serapeum, the Acropolis of Alexandria, is evidently considered the most important civil edifice in ancient Alexandria. The complex resembles both the physical splendor of the ancient city’s imagery, as well as its very sentiment spirit embodied in combining the Egyptian deities along with the Greek[6] as intended by the founder Ptolemy III (Euergetes I/246-221BC)[7]. Serapis himself, the principal deity of the complex stands as a unique model for inter-cultural and religious exchange in the world of antiquity[8]. The Serapeum has witnessed major religious and physical changes in its times yet it managed to adapt and remained a focal point for the population and its rulers from Egyptian to Greek then Roman to Christian[9]. It was also the house of the Daughter library of Alexandria[10].
The Roman Catacombs – Kom El-Shuqafa
Located to the south-west of the Serapeum, and dating back to the 2nd cent. AD (Roman Egypt), Kom El-Shuqafa catacombs – tombs – were discovered by accident in 1900AD[11]. They strongly reveal a level of integration that only occurred in Alexandria, where the Pantheons, artistic styles and architecture of prominent Egyptian, Greek and Roman communities were melted and merged[12]. They contain a one-of-a kind iconographic decorations that represent life, death, resurrection and deities from the Egyptian and Greco-Roman mythologies all combined together in a harmonious composition[13].
[1] Awad M. F., Italy in Alexandria. Influences on the Built Environment, Alexandria, 2008, p.9.
[2] Two libraries; the Mother library which in Ptolemaic era used to occupy the same place of the modern Bibliothequa Alexandrina followed by the Roman Daughter library that was hosted in the Serapeum.
[3] Haas Chr., Alexandria in Late Antiquity. Topography and Social Conflict, Baltimore, London, 1997, p.2.
[4] See: [http://ngm.nationalgeographic.com/2011/07/cleopatra/alexandria-map]-23/1/2015.
[5] Rowe A., Rees B. R., “The Great Serapeum of Alexandria”, in: A Contribution to the Archaeology of the Western Desert VI, in BRL XXIX, 1957, p.486.
[6] Awad M. F., Italy in Alexandria. Influences on the Built Environment, Alexandria, 2008, p.23.
[7] See: Mckenzie J., The Architecture of Alexandria and Egypt c. 3ooBC to AD 700, Hong Kong, 2007, p.52.
[8] Further details, see: Allott M. (ed.), Forster E. M., Alexandria: A History and a Guide and PHAROS AND PHARILLON, London, 2004, p.27-28.
[9] See: footnote no.5.
[10] See: footnote no.2.
[11] Allott M. (ed.), Forster E. M., Alexandria: A History and a Guide and PHAROS AND PHARILLON, London, 2004, p.124.
[12] Awad M. F., Italy in Alexandria. Influences on the Built Environment, Alexandria, 2008, p.36.
[13] Id.