The real difference between a movie and a TV series is the time of narration. This work is in praise of slowness; we imagined sitting on the sofa at the end of the day, and enjoying the cynicism of Rust Cohle, the ruthless careerism of Underwood, the icy beauty of the Queen of Dragons without the breathlessness of running. A slowness also imposed by the search for the right frame to freeze, print and use as a backdrop, the search for props, studying the shot, finding the right light to blend the elements together. The language used, contaminated by a cinematic universe that is more about the world that surrounds the "product", synthesizes in an image that informs us of the emotions of a moment, of a character well-known but non-existent in the real world (as an image; we perceive his presence). This visual journey is sewn together from a series of original "Quotes" from the characters that complete the deepening psychology of the characters.