This year's take on the logo was lights. From the shape of the logo I created a series of stencils that were photographed with the help of Baldur Kristjánsson and Halli Civelek.

The imagery was the photography of Jói Kjartans, who's fly-on-the-wall photos documented Iceland's party and music scene with an unparalelled intimacy and accuracy.

 

This would be my last full year working for the festival, as the economic collapse and other factors brought about a change in ownership for the festival.