RESONANCE 共↔振 | 崑山科大視覺傳達設計系111級畢業製作 | Exhibition Design

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共↔振 RESONANCE

策展主題以「共振」為核心概念，共振是頻率相同的物體，當一個發生振動時，引起另一個振動的現象，並會產生更大的影響力，將此概念比喻為我們製作畢業製作時，帶著共同目的「傳達」，從而共振成一股龐大傳達力，而引發一場共振效應。

↔是我們共振的符碼，比擬傳達力在彼此一來一往、溝通時帶出的力量，並以同樣需要動能往來的撕裂感表現，呈現我們的共振效應所帶來的壯闊影響力。

多元多樣的「傳達力」合而為一，即共振成一股龐大的傳達力。

我們將每件作品蘊含的傳達力共振合一，將由我們而起的共振效應影響、深入觀者，期望讓本屆的設計能量無遠弗屆地傳達出去，引動傳達，讓共振發生在你我之間。

The core concept of this exhibition was “Resonance.” Resonance occurs when oscillations in one object are transmitted to another object with the same frequency and become amplified. In making this concept a metaphor for our graduation production, “communication” with the shared goal all resonate together to become a massive force of communication that generates even more resonance.

↔ is our symbol for resonance and represents the bilateral nature of communication and the power communication. The representation of energy exchanges as forces pulling and tearing at each other captures the tremendous influence generated by our resonance.

Different “powers of communication” are combined and resonate together to form a single tremendous force of communication.

We combine the power of communication imbued within each work in order to resonate with the viewer. We hope that this year’s design energy will be communicated far and wide to trigger resonance between you and I.

振動、共振、傳達

Oscillation, Resonance, Communication

共同引動傳達，創造共振效應

Resonating Together through Shared Communication

視覺設計 | VISUAL DESIGN

畫面撕裂↔符碼，將我們強大傳達力所互相往來的振動，比擬為彼此拉扯的撕裂感，透過設計詮釋具現在↔符碼中，呈現我們的共振效應所帶來的影響力，共振各組作品的設計能量，在符碼中交會成形。

背景使用黑色，在黑暗中將↔符碼更加凸顯，為了顯現出材質的特性，使用印銀結合環境光反射，並呼應我們與接收者之間的相對關係。

The ↔ symbol represents the oscillations as our forces of communication interact with each other to create a sense of pulling and tearing. The influence of our resonance effect is embodied through the design of the ↔ symbol. The design energy in each team’s project resonates with each other and takes shape amidst the motifs.

The choice of black as the background color served to highlight the ↔ symbol in the darkness. To highlight the nature of the materials, printed silver ink and the reflections of ambient light correspond to the relationship between us and the receivers.

專刊設計 | SPECIAL ISSUE DESIGN

封面設計使用打凹與壓撕線，期望專刊能讓觀者以眼觀看作品外，也能以撕、觸摸的方式感受，內頁則延續視覺概念，以印銀結合環境光反射，翻閱時從銀色的反光特性，表述我們與觀者的相對關係。

The cover design uses debossing and perforated lines to so that the viewers can not only view projects with their eyes, but also experience them through tearing and touching. The inside pages retain the visual motif of printed silver ink and ambient light reflections. The silvery reflections express the relative relationship between us and the viewer.