The following set of images document the design and bespoke making process for two large scale cast glass sculptures by Australian artist Peter Kovacsy.
The 2 plaster moulds for He & She ready for pre drying. These mould when wet weigh from 80kg to 70kg.
Here you can see the wet mould for He and the pattern block that was used to produce the plater mould.
This is the plater casting mould for She, while still wet I often need to refine the surface by hand.
Each timber pattern block is made up by combining 3 components, this aids in the removal of each block from the the plater mould.
To achieve the required outcome for complex annealing Peter modifies the formwork prior to pouring each mould. Achieving an even mould wall thickness helps control heat differential during the lengthy annealing schedule.
Due to the scale of each mould large quantities of mould mix are required. For this tricky casting project two types of mould mix have been produced. A fine face mix will pick up surface details on the pattern blocks and a coarse structural mix will hold the weight of crystal and tolerate thermal load.
Peter's moulds for casting glass are made with casting plaster, foundry sand, silica flour, chopped fibreglass and alumina hydrate.
By using pine timber for pattern blocks I can generate a natural grain texture that will be captured by the mould, and picked up by the molten glass. These large glass sculptures will be cast in clear lead crystal, the natural wood grain patten will be a surface feature and major feature in the finished work.