When my daughter Alison was born, in the tradition of a new parent, I began to photograph her, initially in a separate and private body of work. However, in the process of documenting Alison's growth, I developed apassionate interest in human relationships and capturing intimate moments in the lives of family and friends.
This affected my photography in a profound way. Rather than theisolated subjects of my earlier work, I became interested in thestrength of relationships, oftentimes using personal environments toamplify those conditions.
My photographs of Alison, because of the nature of our relationship, are very much a father-daughter collaboration-Alison permitting me access to private moments of our life, which might, under different circumstances, be off-limits to a parent. The camera, early in her life, became part of our relationship, necessitating in me an acceptance, a quietness. We've never had long photographic sessions, but rather moments alone or with friends.
The significance of these pictures emerges in retrospect. I realize asI look at them, that I created a visual life story of Alison, capturing moments in her metamorphosis from infant to woman-her relationships with friends, her rebellion, and underlying it all, her relationship with me, a constant throughout her life. I wanted to photograph her inall her extremes, and to be part of these times in her life without judging or censoring. Only in this way would I have a true portrait of Alison.