To prop up a wooden idler is to build a personal coordinate and affirm oneself in it. The construction industry is in charge of covering idlers on wooden falseworks with façades and finished luster.

 

The construction industry sees so much falsework wood go by as building workers. Often, a bricklayer is trapped in a construction wall; this is accepted with normalcy as a sacrifice for that which is being built.

An “unfinished construction” is a dream of the future, the gestation of a space that is almost never used by those who build it.

A monument is a reiteration of the past and that which aims to be installed in the future over others as permanent propaganda.

Jasinto is a monument for the bricklayer, a sculpture gesture in collaboration with an excellent worker from this industry. It stems from the question: what is behind a monument?