So we start with the face. Now I go and I select my vector brush layer come down and I will go ahead and get my. 5.0 and I'm going to turn back on my pressure dynamics. Annmulle velocity because I like using it. And let's get started. Always start with the eye now with your artboard you can use two fingers. You can rotate this around just to get the best angle that suits the stroke that you're trying to achieve.
We'll start this one out. Kind of thick. Den will bring it back down to kind of thin. Looking good so far. And what I'm going to do is I'm just going to work my way carefully around this composition. And all I'm doing is catching the main parts.