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After flying more or less relevant sculptor work, Nöt practice film photography without much attachment. The meeting with Audrey Tabary, photographer raging at the time (1996) in Marseille, will radically change the perception of the image. Totally empirically, he frantically explore and experiment the different p… Read More
After flying more or less relevant sculptor work, Nöt practice film photography without much attachment. The meeting with Audrey Tabary, photographer raging at the time (1996) in Marseille, will radically change the perception of the image. Totally empirically, he frantically explore and experiment the different processes of photography and then moved as a photographer-author in the Pyrenees (France).
Nöt dont have a very pronounced taste for technology and the material aspect of photography, he do not relate to either style or a particular school, preferring to peddle his images slightly in a versatile sensibility. After several years devoted to photographic projects of artists with whom he collaborated (Sony / Columbia / Sculpteo etc.), he operate in 2014 a return in galleries, art festivals and other places holding walls.

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