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Poes started tagging in 1998 when still in highschool, and made of the labyrinth of La Défense his playground. He was brought up inside hip-hop culture, his childhood filled by comics and mangas’ heroes.
His relentless activity as a diehard graffiti artist had him travelling Europe with an unquenchable will. H… Read More
Poes started tagging in 1998 when still in highschool, and made of the labyrinth of La Défense his playground. He was brought up inside hip-hop culture, his childhood filled by comics and mangas’ heroes.
His relentless activity as a diehard graffiti artist had him travelling Europe with an unquenchable will. He painted to the four corners of earth, accumulating the encounters, from Moscow to Istanbul, and from Berlin to Belgrade. Poes seeks to develop a world where dreams are predominant ; his personal background makes it possible for him to tell stories through a patchwork of multiple pictorial references with colours in the service of narration. Trading his sprays for paintbrushes, Poes uses humour and irony to create works like poetic odes, reflecting a daydreamed society.
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