iIllustrator, since 1989
clients:
The New York Times, Scholastic Inc., The Walt Disney Company, BBC, Harcourt Inc., Houghton Mifflin, Hampton-Brown, McGraw Hill, Silver Editions, Kirchoff Wohlberg, Reader's Digest Children's Publishing, Leapfrog, Nickelodeon, The Providence Journal, Paper Magic Group,The Rhode Island Monthly, INX, Fang Records, MTV, MTV News, MTV International, Penny Arcade, Solid Design, Gakken Publishing (Japan), The Museum of Financial History, WW3 illustrated, Life in a Blender, Workman Publishing, Artisan Publishing, Tin House Magazine, Bricks Publishing, Dead Frog Records, Storefront Music, Rabbit House, Jordan Matter Photography.

Illustrator, designer
Workman Publishing, New York
Publishing industry
November 2006 – Present
graphic production, paper engineering, illustration, design.

Character Designer
Scholastic Inc., New York
1998 – 2000 (2 years) NYC
Created characters for the teacher’s learning program, ‘Building Language for literacy’, art directed the production of plush toys and puppets, designed the main typeface and aided the design of 12 emergent reader books.

Character Designer
The Walt Disney Company
Interactive Division
July 1997 – September 1997 (3 months) L.A.
Designed character concepts for ‘Curio”, a non linear educational program.

Scenic Designer
Viacom Inc., New York, Miami, Singapore,
1993 – 1996 (3 years)
Created background scenery for VJ’s on MTV, MTV Asia, MTV India, MTV Latino and Red Music Television. Most notable were my backgrounds for the shows, Alternative Nation and 120 minutes which ran for three years.

Scenic Designer
Red Music Television, Sydney, Australia
1996 (3months)
Designed and installed scenery for the launch of this MTV like network.

Broadcast Designer
GT Group Inc. A Division of Griffith & Tekushan, a broadcast design firm
Privately Held; 1-10 employees; Design industry
September 1991 – December 1993 (2 years 4 months) New York
Designed logos, conceptualized and storyboarded type and special effects animations for HBO, ESPN, Telemundo. Maintained a small blue screen studio, shot video, designed lighting, produced special effects shots, utilized a robotic animation stand. A favorite project at GT was designing part of the opening animation for MSG’s Yankees games which ran for two years.
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