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Liz West graduated from the Glasgow School of Art in 2007, she has since shown and made work for solo and group exhibitions, artist residencies, commissions and publications both nationally and internationally. Solo exhibitions include: Chroma, BLANKSPACE, Manchester (2012), On Brown & Violet Grounds, Piccadilly P… Read More
Liz West graduated from the Glasgow School of Art in 2007, she has since shown and made work for solo and group exhibitions, artist residencies, commissions and publications both nationally and internationally. Solo exhibitions include: Chroma, BLANKSPACE, Manchester (2012), On Brown & Violet Grounds, Piccadilly Place, Manchester (2013), An Additive Mixture, Exeter Phoenix (2014), Vanishing Boundaries, MediaCityUK (2014), Assaulting the Asphalt, Airspace Gallery, Stoke- on-Trent (2014). Selected group exhibitions include: Stew Gallery, Norwich (2010), The Minerva Gallery, Chichester (2010), The Invisible Dog, New York, (2010), Elevator Gallery, London (2011), Wolstenholme Creative Space, Liverpool (2012), Untitled BCN, Barcelona (2012) and Cornerhouse, Manchester (2013). West has been awarded Arts Council England Grants for the Arts funding for the last two consecutive years for the support of her ongoing practice. West lives and works in Manchester. Read Less
Liz West creates vivid environments that mix luminous colour and radiant light. Working across a variety of mediums, West aims to provoke a heightened sensory awareness in the viewer through her works. She is interested in exploring how sensory phenomena can invoke psychological and physical responses that tap int… Read More
Liz West creates vivid environments that mix luminous colour and radiant light. Working across a variety of mediums, West aims to provoke a heightened sensory awareness in the viewer through her works. She is interested in exploring how sensory phenomena can invoke psychological and physical responses that tap into our own deeply entrenched relationships to colour.

West's investigation into the relationship between colour and light is often realised through an engagement between materiality and a given site.
Within physical and architectural space, West uses light as a material that radiates outside of its boundaries and containers. She playfully refracts light through using translucent, transparent or reflective materials, directing the flow of artificial light. Our understanding of colour can only be realised through the presence of light. By playing and adjusting colour, West brings out the intensity and composition of her spatial arrangements.

These ephemeral interventions forge new spaces and environments, from flooding a physical site with a rich mixture of light to using colour to disrupt the white flatness of paper.

West revels in experimentation. Surrounding herself with an array of materials, she utilizes both her studio and the sites that she exhibits as test beds for a process of experimentation. Objects are ordered and classified. Series of works are created and reproduced in different 'mixes'. Patterns are tested and repeated. This fast paced development of ideas is well documented by West, who often uses photographs to shape the direction of her sculptures and installations. These images are like studies: they suggest ideas for more developed works but are intimate works in their own right. Photography allows her to quickly create multiple and sequential colour arrangements. This process is rooted in West's long-standing relationship with collecting and cataloguing.

These studies have led to the development of works that saturate a space with a single colour. By limiting her use of materials, West simultaneously challenges herself to focus on arrangements rather than an array of colours. In a recent series of spatial light works based on research into colour theory and light fields she has transformed architectural spaces. Read Less
Member since: Jan 6, 2012