Freelance Graphic Designer / Illustrator
Since 2000 I've been illustrating, designing and art directing books, magazines, brochures, posters and websites for a variety of clients including Paramount, TimeWarner, Viacom, Sony, BBC, Benetton, Unilever, Virgin, Orange, RBS, Daimler, Land Rover, Ecolab, Scottish Power, InBev and Diageo.
One of my key clients has been Pearson Education. Throughout 2004-5 I worked with illustrator Per José Karlen, creating an identity for Abacus Evolve, a Maths scheme devised for primary schools. The project required about 160 separate elements, each with its own unique design.
My work has featured in American Illustration, Graphik, Creativematch, Design Week, Advanced Photoshop and the AOI Images. In 2006 my images for Virgin Atlantic's Upper Class Suite received a Bronze Award from the Association of Illustrators and my recruitment ads for Ecolab were recognised with a GRAMIA (Grocery Advertising & Marketing Industry Award).
In 2008 I illustrated The Rock Bible, which was awarded an editorial merit in the HOW International design awards. In 2013 I created a set of illustrations for Jell-O Jigglevision, an interactive campaign which won a merit for Innovation in Print. My work has also been shortlisted twice for the prestigious V&A Illustration Awards.
Group Graphic Designer
In June 2013 I was recruited to implement a new brand identity for ASCO, an international energy support services business based in Aberdeen. In partnership with the Leith agency I produced a 50 page Brand Starter Kit, then helped to roll out the new identity across all touchpoints including tenders, new business presentations, HSEQ reports, signage, livery, interiors, exhibitions, stationery and magazines.
Working as part of an energy support services company has given me a broad understanding of Aberdeen's role in the international energy market. Preparing presentations and bid documents for operators across the globe, I gained a working knowledge of key operators as well as the supply chain that underpins the sector.
Implementing a new brand for ASCO strengthened my organisational skills, as I continually managed multiple projects. Part of a close-knit Comms team, I learned to work collaboratively and respond proactively to new business opportunities, ensuring consistently branded communication. I developed my knowledge of MS Office, producing a range of collateral for digital and print outputs.
- March 2015
Aberdeen, United Kingdom
Pearson Education is the world's leading educational publisher. Across a wide spectrum of subjects, including business, technology, sciences, law and humanities, their books and resources help students to learn, teachers to teach and professionals to develop throughout their careers.
In 1999 I joined Pearson (then Harcourt) to work with with US educational publisher Rigby. As part of an editorial team I designed and art-directed a new series of big books and activity sheets for shared reading in literacy hour. Collaborating with editors and designers I planned the content and layout of titles; selected and commissioned illustrators and photographers; controlled costs and schedules; and ensured each book was delivered on time and within budget.
I was privileged to work with some of the UK's most talented artists including Jan Pienkowski, Tony Ross and Nick Sharratt. I learned how to direct photographers on location and how to draw out the best from each illustrator. I developed an ability to think critically whilst retaining a sense of playfulness, essential qualities for a children's book designer.
- March 2000
Oxford, United Kingdom
Lion Publishing (now merged with Angus Hudson) is an independent publisher, selling books in more than 200 languages across the world. As part of a medium-sized publishing team I designed for a range of titles - from illustrated picture books and novels to non-fiction and reference.
In collaboration with a team of editors and designers, I planned and implemented a range of titles from initial layout, choice of paper stock / print process and commissioning of artwork through to finished design and pre-press preparation including foreign language editions. I worked closely with illustrators and photographers, managing briefs and ensuring projects were delivered on time and within budget.
Designing for a spectrum of ages stretched my ability to communicate visually with specific target audiences. I learned to lay out pages using Quark Express tags and templates, as well as manipulating type and images using Adobe Illustrator and Photoshop.
I also designed for catalogues, packaging, exhibition stands, point-of-sale and other marketing materials.
- March 1999
Oxford, United Kingdom
InterVarsity Press is a small independent publisher which publishes / distributes more than a million books each year to over 150 countries, in more than 80 different languages. As the only designer I designed, illustrated and typeset a range of academic titles.
Book interiors were still being typeset by out-of-house suppliers, so I learned how to skim a manuscript quickly - identifying any special features that required a particular style - then specify the design for a typesetter. I acquired a knowledge of publishing conventions such as binding methods, extents, page sizes and proofreading markup.
Cover design allowed a much greater degree of creativity. This was my first experience of taking books to print using computer programmes such as Quark Express, Adobe Photoshop and Macromedia Freehand. Cover design combined digital media skills with traditional drawing, painting and printmaking. I learned how to prepare artwork for press and how to give instruction for different print processes.
- March 1997
Leicester, United Kingdom
Based in central Edinburgh, I created artwork for books, magazines, newspapers, brochures, calendars, posters, packaging and t-shirts. My client list included the Bank of Scotland, Standard Life, News International, NWS Bank, Gleneagles’ Hotel, Arran Provisions, The Scotsman, The Big Issue and CA Magazine.
As a recent graduate I learned how to listen to clients and understand their needs. Working to a given brief often within tight deadlines, I developed the ability to communicate ideas, sensations, facts, feelings and emotions in a style that reached a target audience.
I learned how to search for inspiration; how to brainstorm for ideas and express them with originality and confidence for discussion and approval; how to refine ideas through consultation; and how to introduce new ideas when appropriate.
Using traditional media - pencils, markers and paint - I continued to develop my practical skills of descriptive drawing, painting, mark-making and composition.
As a freelance I learned the basics of running a small business: negotiating fees and deadlines; preparing invoices and tax returns; seeking new sources of work; building a strong portfolio and approaching potential clients.
- August 1995
Edinburgh, United Kingdom