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Drawing is the basis of Hernán Marín’s artwork, technique developed with the use of different support, as Steel, glass, ice, and paper. With a refined technique and a meticulous line, he has explored landscapes and the human figure to create compositions that loiters metaphysical through the creation of atmospher… Read More
Drawing is the basis of Hernán Marín’s artwork, technique developed with the use of different support, as Steel, glass, ice, and paper. With a refined technique and a meticulous line, he has explored landscapes and the human figure to create compositions that loiters metaphysical through the creation of atmospheres and the use of emptiness.
In his work can be appreciated this stopped moment; is the capture of a unique moment that expresses through his pencil, as in a no-instant picture, where time and office are not necessary to reach the final result. Those empty spaces are not absence, but presence. It’s the hidden landscape that we cannot see and that is occult with white; the fog, the indefinite, the nothingness is what surrounds the characters and allow understanding the scale in which space is shaped. Even in his human representations, Marín questions the landscape in a field beyond the physical and touchable.


Partiendo siempre del dibujo como medio de exploración e investigación, el trabajo de Hernán Marin se presenta de manera meticulosa sobre diferentes soportes, cada uno con una atmósfera y clima especial. El papel, lienzo, vidrio y metal contienen las imágenes con silencios y vacíos que son tan protagonistas como los personajes y paisajes representados, allí se aprecia aquel instante detenido; la captura del tiempo que parece desvanecerse y ocultarse o aparecer con la niebla que lo circunda.
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