At Polygon Pictures my responsibilities include

● Supervising look development team on projects
● Developing & integrating LookDev workflow based on project demands
● Texturing & Look Development of assets
● R&D on Look Development for potential implementation of new tools and techniques
● Preparation of colour schemes
● Shot lighting & compositing

Projects:-
Lost in Oz (Look development artist)

LayerD (Look development & Shot artist)

Levius (Look development supervisor, shared with Swapnil Harlankar)

Pacific Rim Black (Look Development artist)

World Ends With You! (Look Development Supervisor for the cinematics)

MecCadet (Look Development Supervisor)

At Druids, I was responsible for working on multiple projects.

● Worked on texturing and shading for the feature film Pulli (Tamil)

● Worked as a texture artist and look development artist for a TV series

● Contributed for texture painting for an upcoming game

Created a course on Introduction to texture painting in Mari. The course takes you through various topics on texturing with Mari and texture painting in general, touching on topics from basic of texture painting, the terminologies to using Mari for today's high demanding industry. The tutorial takes shape by taking an asset from start to finish in Mari, with a clear storyline as our basis to texture the asset.

Responsibilities included texturing character for TC's Dev the Mystic Warrior SE02
And shading in Arnold to achieve desired look from TC

I did not work directly fir TC, but the freelance was from a very close friend of mine who was interacting with the client directly.

(Work will be uploaded once the series is aired on TV)

Was responsible for creating contents and syllabus for 3D modeling for Commit's clients and other 3D project related planning.

Mentoring & guiding students on lighting basics and specialization on Maya with Mental Ray

Responsible for lighting a shot for an upcoming (work in progress) TV series on Jesus, aimed at 2-8 year olds.

Online interactive training interns on VRAY for Maya for using it efficiently on production.

Responsible for creating presentation assets for 'Ferroli Heaters' launch programme in India.
Worked on texturing, shading & lighting all the assets & its demo video for the technical presentations.

Responsible for project management.

I had to design and paint four different and unique camouflage pattern on Indian Army truck named "Akash Army Launcher" and "Mobile Launcher Repair Station," based on their terrain of activity.
The model was done in solid edge - entire asset remodeled in Maya & Zbrush, and painted in Mari, rendered in Vray for Maya. Few Patterns were modeled, painted & rendered in ZBrush.

(And since the work done was for the defence sector, I am forbidden from displaying any images online)

Analytically creating camo-patterns for Indian Air Force SAM based on the terrain it operates in.
A massive asset with 24 MIL polycount, I was responsible for texturing it studying the area of operation & rendering it out for real paint job reference.

(Since the work done was for the defence sector, I am forbidden from displaying any images online, even for portfolio uses).

Graduated from Pesse Toonskool with Texturing & Lighting as the primary specialization