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The color lefts to flow in the time while the instants pass fast and overlapped to the things, the music understood as sonorous column and consta… Read More
The color lefts to flow in the time while the instants pass fast and overlapped to the things, the music understood as sonorous column and constant entity of our existence while and everything else flows, are the protagonists of the series of photos. Read Less
Published:
Tube Station
Client: LaRatti srl | Link: www.avvertenzegenerali.it +Type of work: photos + Year produced: 2009 + Origin: Rome, Italy +Description: A series of photos utilized for the catalogue of Festival"Tube Station - next stop" and promotional material           



 Thecolor lefts  to flow in the time while the instants pass fast andoverlapped to the things, the music understood  as sonorous column andconstant entity of our existence while and everything else flows, arethe protagonists of the series of photos made in the roman subway. Aplace, this,  where the perception of the fast is easily evident. Thesense, common to all the photos, is that to make in interaction  theplace with the human presence. Isn’t  always possible to perceive thesense when the time quickly flows; but if this can be artificially slowcapturing some instants  and then overlap to recreate new  instants,the interaction among the human and humanizes is an answer to theperception of hidden meanings.
In "Meter Visions", the only photoof the series in which the musician of sax is represented vivid withoutany transparency or color (to represent that the music is a constant ofour existence), its presence is opposite to that of the girl that, tothe left of the image, she plays the guitar showing, with hertransparency, to be in the place as a something invisible yetperceivable (as often is the music).  In the other photos as "A part ofmemory#1" and "A part of memory#2" has been created a smallmetropolitan story made of parts of memory, that motivate the sense ofthe to spend of time, of what it moves while everything else isimmovable.  Also the transition in the images of figures that alwaysbelong to itself but placed in different places have as object thecatch what is invisible to the eyes but really happens. The space inrelation to the time is created by instants that can be put insequence. Are photos that seize upon the human presence, representing asubject that lives inside the urban scenery investigated through atechnique that I have called "Blu yellow Photoliquids". This techniqueallows to reconstruct urban sceneries where different instants andoverlaps of forms are mixed. In the photos the blue and the yellowrepresent the before and the later, represent two diacronics momentsbut belonging to an only instant. Is the interaction, the symbiosis,among the place, often the road and the human one to be took inexamination. The simultaneous presence and absence of the man isstopped by the immediate and permanent shot of the photo. The colorrepresents the instant that passes, that runs away without being seen;the chromatic ability has the strength to make evident what it passesunnoticed, to make the intangible one some human essence. A subjectivereading of the cities that wants to underline in the particular oneemerges, in the architectural space, the element of objectivity; thetemporal element becomes fundamental. Are  investigated the  sequenceof events with which the space is perceived in different way throughthe flow of time individualized by every frame that has been overlappedto the other to recreate the final image.In the photos the time is asfrozen, while the fluidity in them contained makes to appear clearerthe relations that exist among the before and the after an instant. Inthe while there is being everything one world, further instants thatcan repeat to the endless one the creative logic of the same images, asin a sort of urban fractal.