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Nara explores gaps in traditional type classification. It exhibits characteristics of humanist typefaces, such as an oblique axis of contrast bet… Read More
Nara explores gaps in traditional type classification. It exhibits characteristics of humanist typefaces, such as an oblique axis of contrast between the thick and thin strokes (as in Garamond, Bembo, etc.), but also characteristics of modern typefaces, such as high contrast, narrower underlying letter structures, and flat, unbracketed serifs (as in Bodoni, Didot, etc). Read Less
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Nara explores gaps in traditional type classification. It exhibits characteristics of humanist typefaces, such as an oblique axis of contrast between the thick and thin strokes (as in Garamond, Bembo, etc.), but also characteristics of modern typefaces, such as high contrast, narrower underlying letter structures, and flat, unbracketed serifs (as in Bodoni, Didot, etc). More
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