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About

My thesis purpose is to turn out that the graphic designer could work both in the service of, and to put on a show. The one and the other are a k… Read More
My thesis purpose is to turn out that the graphic designer could work both in the service of, and to put on a show. The one and the other are a kind of put on a page in which, in the first case the graphic rules are used to design an orientation practice in the page, in the second one the text uses some graphic rules to put on show its dramaturgy. And so I have just collected some matters and books printed in The Sixty and Seventy in Italy about Concrete Poetry, Visual Poetry, and about a small press scene rises at the same time of the ufficial one, to study and test out the design's limit in working the text, avoing the artistic results. From these observations on vintage materials, I have just decided to choose the poetry to manage a consideration about the graphic designer's rule in the poetry, looking for the design of Stimmung: the right feeling, or atmosphere, about a poetical text. Read Less
Published:
Manuale di impaginazione poetica
Graphic and typographic architecture of poetry
In this project I suggest the projection of a "Poetic layout handbook" to design the graphic and typographic architecture of poetry. I want to show how the "suasive" action and the "exhibitionist" one, could concentrate in a single big moment of visual and communicative expressiveness.


MA Degree Project
Communication Design - Politecnico of Milan
Prof. Zingale Salvatore


Features
Paperback
240 pages
Cotton Wove Premium White 350 gr
GSK Fedrigoni 160 gr
Munken Lynx 1.13 120 gr
Arjowiggins 62 gr