• We also know how to work it the other way round. What looks like3D-blood was filmed in real life. Out of consideration for thepart-time vegetarians among us, we quickly abstained from the idea ofmaking use of the resource „porc blood“. Instead, fish tanks of allsizes and red liquids in all consistencies were obtained and the toiletwas turned into our experimental lab. Eager to compete with any sciencefair, we pipetted, poured, shook , whirled and messed around until theright colour followed the dance the director wanted it to. JohnNeumeier it was to be, no chainsaw massacre… With lyric fragility thereal life sequences were choreograqhed to the virtous sounds of FailSoy…
    In our view, blood does not just flow: it performs pirouettes,arabèsques par terre or dans l’air, chassé, frappé, glissé…And thatis that. We will stop copying from the grand encyclopedia of ballet.We take a bow and say thank you for the lion.
    Company: Konzerthaus Dortmund-Philharmonie für Westfalen
    Director: Niko Tziopanos
    Production Company: SEHSUCHT GmbH
    Creative Director: Sascha Hanke, Timm Hanebeck
    Animation: Niko Tziopanos, Alexander Heyer, Martin Hess
    Producer: Andreas Coutsoumbelis
    Music Composition: Fazil SayAgency: Jung von Matt AG