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About

I treat the subjects of my work as incidents rather than things: as if the spectator stood still, with everything passing the loophole of the min… Read More
I treat the subjects of my work as incidents rather than things: as if the spectator stood still, with everything passing the loophole of the mind in a continuous stream, and when something suddenly comes into focus, for that moment that something becomes the case. So it goes — an incident of a tree, an incident of a bird, etc. That said, I like to work in spacial environments, such as coastlines, airports and fields, where everything is more horizontal, and the objects become more isolated and less contextualized. Read Less
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