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I selected seven people, photographing the face of every one in the first part, and then their back. In order to emphasize our identity, making t… Read More
I selected seven people, photographing the face of every one in the first part, and then their back. In order to emphasize our identity, making the viewer identify with the model, and making the language meaningless act as a "mirror of emotions", a technique widely used by Buster Keaton. Read Less
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This was a project which I intended to emphasize our own identity, making the spectator identifies himself with the model, and making the inexpressive  language work as a "mirror of emotions", a technique often used by Buster Keaton. So that after the first impression, the spectator questions the individuality of the person portrayed.
 
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Este foi um projeto de retrato em que tive como objectivo salientar a nossa identidade, fazendo com que o espetador se identifique com o modelo, e fazendo com que a linguagem inexpressiva funcione como um “espelho de emoções”, técnica muito utilizada por Buster Keaton. Para fazer com que após a primeira impressão, o espetador se interrogue sobre a individualidade da pessoa retratada.