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The movement generates color. The color creates freedom of expression and artistic creation opportunity of a no brush, no paint, no border, only … Read More
The movement generates color. The color creates freedom of expression and artistic creation opportunity of a no brush, no paint, no border, only through movement. The screen is the mirror, the mirror of who it paints its identity. The body has a primary function, involving themselves in the action, while members of the articular ends or extensions of the body, creating a new gesture space. Instead of the brush, the movement comes to an event that prints color projected on the screen. Thus, gestures outweigh the support and act as a driving abstract and uncertain attitude, representing the reality of a way of being in the world, like that of a fragmented identity. Digital painting of a random management where the transgression of the rule rebuilds the diversion of a gesture that imitates, resembles not only exists, representing a structure without structure, without art process, intuitive movement to make the gesture instrument, without thinking painting. Read Less
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Created by Filipe Maia & Joana Rodrigues, 2007.

The movement generates color. The color creates freedom of expression and an artistic creation opportunity of a no brush, no paint, no border, only through movement. The screen is the mirror, the mirror of who paints its identity. The body has a primary function, involving themselves in the action, while members of the articular ends or extensions of the body, creating a new gesture space. Instead of the brush, the movement comes to an event that prints color projected on the screen. Thus, gestures outweigh the support and act as a driving abstract and uncertain attitude, representing the reality of a way of being in the world, like a fragmented identity. Digital painting of a random management where the transgression of the rule rebuilds the diversion of a gesture that imitates, representing a structure without structure, without art process, intuitive movement to make the gesture instrument, without thinking the painting.

First experience using Processing as a visual programming software applied to Interactive Art.

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