Add to Collection
Tools Used
About

About

...By incorporating pieces of cardboard as segments that come out of the frame I am trying to create a powerful visual sensation.Minimal exceedin… Read More
...By incorporating pieces of cardboard as segments that come out of the frame I am trying to create a powerful visual sensation.Minimal exceeding of the expected height, width and length, minimal game of shadows and flutter.The frame usually serves to limit,distinguish and emphasize the painting against the space were it is displayed.I am trying to avoid that.Let the painting be an integral part of the space which surrounds it, let it breathe and share the same space.I treat the paintings both as particular entities and as a whole- each painting in relation to the one before it, after it and against it- the complementary one. The same story in variations, a story on the idea how to reach the individual through the feeling and the relation with the universal. The very title''Anthropogeometrisms'' points that the subject of my interest in the artworks is the human figure. I was dealing with variations of the ambivalent game of the general and the particular.The title also points that the treatment of the figures in the compositions is geometric, and my artistic idiom and sensibility are lead by reason, mathematical precision, scheme, reduction to a universal, essential formula, to something that unites people ontologically, regardless of their race, class, religion, nation, political conviction, time, space or other thinking constructions. The artworks include organized structures of broken forms which show the running of the human energy, the esthetical dimension in which the concept of the human form is split into geometric modules, an interior structure which is an outcome of the subconscious and spiritual, of intuition and reason. This common and simultaneous engagement renders a visualization of artistic forms as an expression, contents and reflection of the inner impulses. I take the human figure as a structure or a system made of subsystems with which I can inventively and esthetically play by the creative artistic rules. The male and the female body forms are complementary and compatible, different and equal in their significance, essence and beauty. The forms are fractioned, split, they follow a certain logic of mine. A topic that is so common, close to banal, yet close to the essence, as well- two human beings- a man and a woman who quarrel, fight, compete, dance, laugh, love, confront, inspire. They posses no individual features, they are stylized. Representations of two forms of humans. The basic information is the human bodies. A union of opposites with different qualities. They are incomplete beings, and together they make a perfect- whole. That story is as old as the humankind. Repetition of contingent, consistent, successive forms which are in illusion of a three-dimensional feature and movement which intrusively attacks the senses of the viewer. My paintings disturb through the fractioned forms and the brutal impact of colors on the senses. But the brutal impact of colors, sounds, smells, beautiful visual sensations- natural and artificial, from all sides, are part of our everyday and culture. This is a representation of my own experience of the human subsistence, disregarding the individual and cherishing the global awareness that we all strive for the same happiness and balance with the all-existing. The human being, its nature, its value, set before us like a question. Picture of human figures which could be anyone from the past, present or future. The one from the past and the future has inner human code that binds their requirements and objectives. The way of attaining the objective is changing, but the meaning of laughter and cry does not change. The essence of life, its preciousness are the same for each one who existed and who will exist. Man is an individual in itself, a unique experience, and also a representative of the entire human culture and nation. Basically, each human being is energy in motion with millions of possible variations of moods, reactions, actions, yet there is something human which unites us and helps us understand each other, communicate on different levels and ways, exchange different energies, develop and grow independently and help each other. Man as a concept, as a spiritual-material laboratory,as a machine that creates, imagines and devises is the object of an everyday, continuously renewed fascination. The humanness, being human in its most general and most particular relation is an object of everyday inspiration,a wonder that never stops astonishing... Read Less
Published:

ANTROPOGEOMETRISMS
Paintings, acryl on canvas , from 2006 until 2008, exhibited in Skopje, Bitola and Ohrid .
They represent human figures in complementary colors with   repetition of geometrical forms. The title points that the treatment of the figures in the compositions is geometric and my artistic idiom and sensibility are lead by reason, mathematical precision, scheme, reduction to a universal, essential formula, to something that unites people ontologically,regardless of their race,class,religion, nation, political conviction,time, space or other thinking constructions. The artworks include organezed structures of broken forms which show the running of the human energy, the esthetical dimension in which the concept of the human form is split into geometric modules , an interior structure which is an outcome of the subconscious and spiritual, of intuition and reason....





photos by :  Ana Ivanovska, Marija Sotirovska, Elena GJorgjievska, Eli Ainovska, Biljana Angelevska and Dimitar Stojanovski