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    La schietta e nitida visione del romanzo di Collodi ne sostiene la polimorfica struttura che da sempre offre lo spunto a molteplici interpretazio… Read More
    La schietta e nitida visione del romanzo di Collodi ne sostiene la polimorfica struttura che da sempre offre lo spunto a molteplici interpretazioni, qui in maniera volutamente frammentaria, a porzioni, quasi dispensando si vuole portare davanti all’occhio dello spettatore il carattere più cupo del racconto, il suo substrato gotico, aspetti che nell’immaginario collettivo, anche grazie a letture edulcorate come quella di Disney, tendono generalmente a smarrirsi. Quella che può sembrare una sfumatura letteraria è invece ora innegabilmente la realtà del nostro mondo quotidiano: Pinocchio raggirato, incatenato, sfruttato, accoltellato, impiccato, ingiustamente imprigionato vive la similare condizione dei migranti in arrivo nel “bel paese dei balocchi”. La nostra fiaba, così come le vicende di sopraffazione e violenza che troppo spesso accompagnano l’integrazione dei migranti di ogni terra, in ogni epoca, sono la chiave di lettura di questo frammento di “Nero Pinocchio”. The blunt and sharp vision of the novel by Collodi supports the polymorphic structure that has always provided the key to multiple interpretations. In a deliberately patchy fashion, almost in parceled-out allotments, the goal is to show the reader the gloomiest nature of the story and its underlying Gothic vision; these are aspects that in the collective fictitious world, thanks to sugarcoated readings such as Disney’s, tend to get lost. What may seem like a literary nuance is the undeniable reality of our everyday world: Pinocchio conned, chained, exploited, stabbed, hung, arrested, and unjustly imprisoned, embodies a similar situation to that of the migrants arriving in the „beautiful land of toys.“ Our fairy tale, as well as the stories of abuse and violence that too often go along with the amalgamation of migrants from every land and every era, are the key to the reading of this section of “Black Pinocchio.” Read Less
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     NERO PINOCCHIO
The blunt and sharp vision of the novel by Collodi supports the polymorphic structure that has always 
provided the key to multiple interpretations. In a deliberately patchy fashion, almost in parceled-out 
allotments, the goal is to show the reader the gloomiest nature of the story and its underlying Gothic 
vision; these are aspects that in the collective fictitious world, thanks to sugarcoated readings such 
as Disney’s, tend to get lost.  What may seem like a literary nuance is the undeniable reality of our 
everyday world: Pinocchio conned, chained, exploited, stabbed, hung, arrested, and unjustly imprisoned, 
embodies a similar situation to that of the migrants arriving in the „beautiful land of toys.“ 
Our fairy tale, as well as the stories of abuse and violence that too often go along with the amalga- 
mation of migrants from every land and every era, are the key to the reading of this section of “Black 
Pinocchio.” 
NERO PINOCCHIO
Die ehrliche und ungetrübte Lektüre von Pinocchio setzt am polymorphen Aufbau des Romans 
von Collodi  an, der schon seit seiner Entstehung zur vieldeutigen Interpretation einlud, die sich 
hier gewollt fragmentarisch darstellt, fast als wolle man sie dem Betrachter in Portionen servieren, 
um ihm die düstersten Aspekte, deren gotisches Substrat, vor Augen zu führen. Das heißt genau 
die Seiten, die - dank der Verniedlichung durch Disney und ähnlichen Versionen - dazu tendieren, 
dem kollektiven Bewusstsein abhanden zu kommen. Aus dem, was manchem eine literarische 
Feinheit zu sein scheint, wurde heute unleugbar eine Realität des alltäglichen Lebens. Pinocchio, 
der betrogen, in Ketten gelegt, ausgebeutet, erdolcht, gehenkt verhaftet und ungerechterweise 
eingekerkert wird, macht Ähnliches durch wie die Migranten aller Herren Länder und aller Zeit, 
dies ist der Interpretationsschlüssel, um unsere fragmentarische Darstellung des “Nero Pinocchio” 
zu erschließen.
 Raffaello De Vito