Containing chapters of Arnold Schönberg’s »Theory of Harmony« and »Composition with twelve tones« alongside with excerpts from Theodor W. Adorno’s »Philosophy of New Music«, this editorial project focusses on the avantgarde shift in artistic composition in the early 20th century. 
All examples of Schönberg’s »Theory of Harmony« have been re-written for guitar while the texts by Adorno provide a philosophical and insight into musical material and ethics in musical composition.