ETERNALLY
EMPTY ROOMS, STREETS, MOVIE THEATRES AND
MELANCHOLIC LANDSCAPES. STUCK BETWEEN TWO
REALITIES, BETWEEN DARK AND LIGHT, ALIVE AND DEAD,
TIME IS ABSOLUTELY STILL AROUND THEM. THEY WILL
STAND LIKE THIS FOR AGES. SOME WILL BE DESTROYED,
SOME WILL REMAIN THE SAME. BUT ON THESE FRAMES
THEY ALWAYS BE THE SAME, SHOWING US HOW TIME IS
UNPREDICTABLE.
MELANCHOLIC LANDSCAPES. STUCK BETWEEN TWO
REALITIES, BETWEEN DARK AND LIGHT, ALIVE AND DEAD,
TIME IS ABSOLUTELY STILL AROUND THEM. THEY WILL
STAND LIKE THIS FOR AGES. SOME WILL BE DESTROYED,
SOME WILL REMAIN THE SAME. BUT ON THESE FRAMES
THEY ALWAYS BE THE SAME, SHOWING US HOW TIME IS
UNPREDICTABLE.
THE IDEA OF “ETERNALLY” WAS BORN FROM THE WORKS
OF PHOTOGRAPHER HIROSHI SUGIMOTO. SUGIMOTO
HAS SPOKEN OF HIS WORK AS AN EXPRESSION OF ‘TIME
EXPOSED’. HIS WORK ALSO FOCUSES ON TRANSIENCE
OF LIFE, AND THE CONFLICT BETWEEN LIFE AND DEATH.
THE DIFFERENT MOODS THAT ARE CAPTURED IN HIS
“THEATRES”, THE DIMENSIONALITY AND DESPAIR IN HIS
“SEASCAPES”, THE COLDNESS AND SEVERITY IN HIS
“ARCHITECTURE”, ALL THESE QUALITIES HELPED TO
EXPRESS THE IDEA OF ‘CAPTURING ETERNITY’ IN THIS
PROJECT.
OF PHOTOGRAPHER HIROSHI SUGIMOTO. SUGIMOTO
HAS SPOKEN OF HIS WORK AS AN EXPRESSION OF ‘TIME
EXPOSED’. HIS WORK ALSO FOCUSES ON TRANSIENCE
OF LIFE, AND THE CONFLICT BETWEEN LIFE AND DEATH.
THE DIFFERENT MOODS THAT ARE CAPTURED IN HIS
“THEATRES”, THE DIMENSIONALITY AND DESPAIR IN HIS
“SEASCAPES”, THE COLDNESS AND SEVERITY IN HIS
“ARCHITECTURE”, ALL THESE QUALITIES HELPED TO
EXPRESS THE IDEA OF ‘CAPTURING ETERNITY’ IN THIS
PROJECT.
I have also designed a cover layout for the photobook "untitled.indd" which included the project "Eternally":
spring 2018
