Post-Manufacture / Exhibition

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後製造：都是自然作為原產地 //////////////////////

Post-Manufacture:Urban Nature as Origin

後製造 —— 作為一種生產關係

新世代的創作者以都市為新自然礦場，以商品為原材料，自現成物系統中取材，觀察、採集、思考、製造，以創作作為對這個生活場域的回應，發展出新生產關係 —— 後製造。

後製造 —— 作為一種生產關係，在都市自然中萌芽，現成物作為材料在此流動延展。每個人都是創作者，自發的感知環境，參與創造，並在此流動的關係中不斷演進。「後製造：都市自然作為原產地」將從三個不同的面向：觀察下的推測性挪用及反思；思考工藝與工業材料間再製造的可能；以及探索生活用品的新樣貌，來回應都市自然中的後製造。面對這個時代下人、技術、自然的關係，「後製造」嘗試打開物件被選擇、被消費與被淘汰的框架，回應新的生產關係與能量的循環輪轉，並在此體驗都市自然中的生活與創作交織的混融狀態。

"Post-manufacture" as a relation of production

The creators of the new generation perceive urban as a neo-natural mine, goods as raw materials, taking materials from ready-made, observing, collecting, thinking and manufacturing. Creation is a response to the living field, developed as a new relation of production.

They call it "Post-manufacture".

"Post-manufacture" as a relation of production, is gradually sprouting in urban nature. Ready-made materials flowing and spreading in between. Everyone is a creator, spontaneously perceiving the environment, participating in the act of creation, and evolving in this fluid relationship. "Post-manufacture: urban nature as origin" will be represented by three different aspects: speculative appropriation with reflection under observation; contemplating about the possibilities of remanufacturing between crafts and industrial materials; and further exploring the new look of daily commodities, in response to "Post-manufacture" in urban nature.

Facing the contemporary relationship between human, technology, and nature, "Post-manufacture" attempts to break the conventional model where objects are selected, consumed and eliminated, a response to the circle between a new production relation and energy, and present a fusion state between life and creation in urban nature.