樂成 LECHENG TEMPLE
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透過12張神明視覺設計、書籍、產品、線香罐與年輕人對話。
金紙書以12種紙材堆疊，記載神明事蹟。融入浮雕、剪黏、文化，透過設計回溯當地傳統藝術，重新詮釋廟宇故事。
Through 12 visual designs of gods, books, products, and stick incense cans to talk to young people. The book is stacked with 12 different kinds of paper to memorize the miracles of the gods. Emboss, roof charms, and culture, were added into the design for retrospective to the traditional art, and re-adverse the story of the Temple.
金紙書以12種紙材堆疊，記載神明事蹟。融入浮雕、剪黏、文化，透過設計回溯當地傳統藝術，重新詮釋廟宇故事。
Through 12 visual designs of gods, books, products, and stick incense cans to talk to young people. The book is stacked with 12 different kinds of paper to memorize the miracles of the gods. Emboss, roof charms, and culture, were added into the design for retrospective to the traditional art, and re-adverse the story of the Temple.
總共繪製了12張視覺海報，分別為 媽祖 順風耳千里眼 月老 關公 觀音 玉皇 玄天 註生娘娘 財神 文昌 太歲 華佗。透過每張海報，帶你了解這些神明的發源地及藝術特色。整體視覺的繪畫技法及配色上，是希望讓年輕人們能夠跳脫對於原本神明的既定嚴肅難以接近的印象，透過顏色的改變，讓年輕人們更加喜愛
There are 12 posters of traditional Taiwanese gods, Ma-Zu, Clairaudient, Clairvoyance, Chinese Cupid, Guan Yu, Guanyin, Jade Emperor, Supreme Emperor of the Dark Heavens, goddess of child birth (Chu-sheng-niang-niang), God of wealth, Lord Superior Wen Chang, Tai Sui and Hua Tuo.
Through each poster, you will be informed of the origin and artistic characteristics of these gods. The visual and drawing techniques are used in order to take away the stereotype of gods being serious and inaccessible. We changed the color hoping that they will be more likeable for young people.
金紙書
此作品為視覺海報的延伸。我們將在東方傳統廟裡祭祀鬼神、祖先時火化的祭祀品之一金紙，透過設計轉化變成祈福保佑平安的書籍。
此金紙書，透過12種不一樣的紙材層層堆疊，前方的小冊，在訴說當地廟宇的歷史。進入到內頁，透過字體設計、編輯排版、圖像，利用簡單的三到五分鐘的時間，可以迅速地清楚了解這些神明的傳說故事，我們也設計了英文版，希望透過設計，可以讓大眾更加的瞭解東方廟宇文化的特別之處。
Golden Paper Book
此作品為視覺海報的延伸。我們將在東方傳統廟裡祭祀鬼神、祖先時火化的祭祀品之一金紙，透過設計轉化變成祈福保佑平安的書籍。
此金紙書，透過12種不一樣的紙材層層堆疊，前方的小冊，在訴說當地廟宇的歷史。進入到內頁，透過字體設計、編輯排版、圖像，利用簡單的三到五分鐘的時間，可以迅速地清楚了解這些神明的傳說故事，我們也設計了英文版，希望透過設計，可以讓大眾更加的瞭解東方廟宇文化的特別之處。
Golden Paper Book
This work is an extension of the perception of the poster. We changed the golden paper which are used in temple as sacrifice for ghosts and ancestors into a book of blessing for peace. Through 12 different kinds of paper layer, the small booklet in the front introduce the history of local temples. Through the font design, editing, and images inside the book, the legend stories of each gods could be told rapidly and clearly. We also designed an English version, hoping that the specialness of Oriental temple could be passed forward to more people.
線香罐
此作品為視覺海報的延伸。焚香，象徵東方在神明面前祈禱。
圓筒的造型是以結緣的「緣」同音字圓做為設計，結緣同樂，藝術滿成香為整體設計概念。
圓筒的造型是以結緣的「緣」同音字圓做為設計，結緣同樂，藝術滿成香為整體設計概念。
Linear Incense Tank
This work is an extension of the perception of the poster. Burn incense symbolizes praying in front of the gods in the east.
The shape of the circle echoes with the Chinese character “Yuan”, which means “serendipity”. Our design concept is for people to meet together and enjoy the art of incense.
The shape of the circle echoes with the Chinese character “Yuan”, which means “serendipity”. Our design concept is for people to meet together and enjoy the art of incense.
平安福米
此作品為視覺海報的延伸，以火柴盒的形式與米做結合。在早年的文化裡，早年瓦斯爐尚未問世或未普及之前，一般家庭使用爐灶、木炭、煤球等炊具都必須以火柴點火。因此，火柴一直到1970年代仍為家戶取火的主要工具;台灣的主食從古至今，大部分都以米食為主,希望透過兩者的結合，可以象徵將平安帶著走祈福健康。
此作品為視覺海報的延伸，以火柴盒的形式與米做結合。在早年的文化裡，早年瓦斯爐尚未問世或未普及之前，一般家庭使用爐灶、木炭、煤球等炊具都必須以火柴點火。因此，火柴一直到1970年代仍為家戶取火的主要工具;台灣的主食從古至今，大部分都以米食為主,希望透過兩者的結合，可以象徵將平安帶著走祈福健康。
Ping An Fu mi
This work is an extension of the poster. It is in the form of a matchbox and integrate with rice. In the early years 、 before the gas stove has been popularized, the general family use traditional stoves, charcoal, and coal balls. All must be fired with a match. As a result, matches have been the main tool for domestic use until the 1970 's. On the other hand, the main food of Taiwan has been dominated by rice since ancient times. It is hoped that through the combination of the two, it will symbolize the safety of peace with the blessing and health.
Thank you for your attention.
