The idea was, while remaining faithful to the original graphic style, to make it more young, colorful and dynamic. It was also necessary to combine many films, very different from each other. The obvious choice was to avoid photographs and snapshots, because they are generally hard to find in high quality. I instead opted for the creation of vector images.
The colors are very saturated, to contrast the B/W, and I also tried to find tones related to the film itself. I moreover attempted to use the whole range of possible colors, and to distribute them on all 27 covers.