Images produced without manipulation (DSLR Camera, Canon). They are part of a project I undertook while in Poland (March 2015), visiting the cities of Warsaw and Lublin, and also participating in a congress sponsored by the Camões Institute and the Maria Curie-Skłodowska University (Linguagem Portuguesa: Unidade na Diversidade). The second image is particularly important to me, and I call it "A Paz del tornillo," in reference to Julio Cortázar. As I say in my site, "automatic writing (everything in reality is a gesture, something you could sketch in an ideogram, Julia Kristeva would say). Absent-mindedly, ominous. Avail yourself of the modern, the postmodern, and the archaic alike (we live past escathology, yes Auschwitz, dictatorships, annihilation & glacial strife). Writing about le sauteur de flaque, Pierre Assouline says the device scans (l'appareil scrute, anagram) the rumor by digging in the rubbings. Que dire de cette petite affiche dans le fond? Everywhere il y a des affiches. Insignia of plasticity itself."