Aljaž Vesel, Emsley
Continuation of a corporate slab serif typefamily with an English flavor
Barbara Borko, Slap Slab
a slab serif intended for web
Christin Bacher, Spoon
a linear sans serif, with large apertures and high x-height
Clara Wildberger, Kigeling
thin linear sans serif for acompaniing authors photographical work
Damian Langosz, Broken Stamp
edgy typecafe for a manual technique of producing stamps
Dedi Cohen, Kita [Hello first grade]
latin typeface created for acompaniing hebrew texts, where bilinguality is a necessity
*next to Kita Hebrew font David by Itamar David (
Igor Štumberger, Sadwitch
sans serif for editorial use
Jan Janeček, Skvär
a evenly “gray” serif with large apertures, high x-height, and a squarish skelet form
María Ramos, Calada
 linear sans serif typeface where stencil features are used for a releave of dark areas
Monika Marek, Trenta
linear sans serif enriched by calligraphy elements
Tomato Košir, Rastignac Italic
Italic continuation of a didone typefamily Rastignac
Verena Manyet, Pandora
attribution of bold to the Pandora typefamily, slightly rounded sans serif, with three different style variations for titling
Deleted scenes:
next international type design workshops
will be organised 
erevry winter and summer
in Triglav national park,
Trenta, Slovenia

Our workshops deal with bodytext and display typefaces for print and digital usage. Participants of all levels of expertise come from all over the world: Austria, Australia, Croatia, Czech Republic, Germany, Great Britain, Finland, Israel, Italy, Poland, Serbia, South Africa, Spain, Romania, Slovenia ... ... to work for a week in Trenta Valley, Slovenia. The final products includes typefaces with 40 characters minimum, which are later displayed in B1 poster size.

If you are interested into participating at our next workshop, please send an e-mail to

See you in Trenta!
TypeClinic 6th international type design workshop, 2013