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碟仙
Lee ChengHan
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如果創作必須保持自有的獨特性,那創作的動機應該只能是創作,而非透過作品去敘述或傳達想法。
所以身為創作者能做的只剩加入與創作無關的規則、限制,
這個規則對作品的影響我認為比由作者動機而來的強加內容更屬於作品本身。
這次的主題「懸缺的主體」中,我聯想到民俗裡碟仙這行為中,
我們去感受那無可知的不可控力來指引或提示我們問題的答案。
如果真的有那給我們答案的一方,他的立場似乎和「懸缺的主體」的概念非常類似。
所以我的作品「碟仙」做了一個碟仙。
2018 台南國際攝影節 「懸缺的主體」聯展
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碟仙
1
57
0
Published:
January 10th 2019
Lee ChengHan
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Lee ChengHan
Taipei, Taiwan Region
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碟仙
1
57
0
Published:
January 10th 2019
Adobe Portfolio
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Attribution, Non-commercial, No Derivatives
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