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in the sea and near a girl.
As always I work with Masanobu Hiraoka, he sends me a closed video, and I give him a master of my music and sound, no feedback, some update just to show when I will end, but nothing more.

My 3 main goals when I work with a piece like this one.

1. I try to do a soundtrack that fits and synchronize as good as possible.

2. I want an extra of psychedelia I express this through: sound design experimentation, a meditated selection and creation of instruments, and a wide stereo image.

3. Make a pop track. Masanobu visuals are a candy for eyes, so I try to make the same with harmonies melodies and general timbre.