working files / for print
working files / for print
Exhibition set-up follows stage design: main material is reproduced as in scale model, and multiplied chairs - main elements are buried in soil as in actual Play. Visitors of exhibition can take them, get a closer look and bury them back where they find suitable, in that way creatively interacting with Play and "influencing" mise en scène.
Exhibition set-up follows stage design: main material is reproduced as in scale model, and multiplied chairs - main elements are buried in soil as in actual Play. Visitors of exhibition can take them, get a closer look and bury them back where they find suitable, in that way creatively interacting with Play and "influencing" mise en scène.
Exhibition set-up follows stage design: main material is reproduced as in scale model, and multiplied chairs - main elements are buried in soil as in actual Play. Visitors of exhibition can take them, get a closer look and bury them back where they find suitable, in that way creatively interacting with Play and "influencing" mise en scène.
Invitation for Exhibition Openning
Pozivnica za otvaranje izložbe
"Box or not?"
Yearly exhibition of "Scenography and Costumogrpahy Section" of ULUPUDS
The Association of Applied Arts Artists and Designers of Serbia
Udruženje Likovnih umetnika Primenjenih Umetnosti i Dizajnera Srbije
My choice was to present Stage Design for the Play
"Play Andrić | People about whom little can be said"
Na izložbi predstavljena Scenografija | Scenski dizajn za predstavu
"Play Andrić | Ljudi o kojima se malo može kazati";
Inspired by works of Ivo Andrić; po motivima priča i romana Ive Andrića;
Writer and Director | Tekst i režija: Mia Knežević;
Costume Design | Kostim: Senka Ranosavljević;
Produced in: Kraljevo Theater, Kraljevo, Republic of Serbia;
Kraljevačko pozorište, Kraljevo, Srbija
https://www.facebook.com/kraljevacko.pozoriste.9/
Chairs can be seen as Characters of this play, to which actors give voices and represent them: actors tell stories which are visually embodied in chairs. They are covered with earth, and through their excavation we hear fragments of stories and understand whole world of the play and thread that unites all stories. All of them - chairs, armchairs, benches, stools were carefully designer to be represent characters without doubt; they were manually processed and largely decorated by stage designer herself.
Stolice su tretirani kao likovi predstave, kojima glumci daju glas i predstavljaju ih - glumci pričaju priče koje su vizuelno sadržane u scenografiji. One su zakopane u zemlju, i kroz proces otkopavanja čujemo fragmente priča i spoznajemo svet predstave i nit koja povezuje sve priče.
Svi elementi - stolice, fotelje, klupa i hoklica su pažljivo dizajnirane da nedvosmisleno predstavljaju likove; izvedene, dekorisane i patinirane su manualno, većinski od strane same scenografkinje.
