Making a Digital Portrait of Scarlett Johansson
It’s a digital age, one doesn’t need a subject to pose before them for hours, simply a photograph is enough. Graphic design student, Sri Harsha Andukuri takes us through a step by step guide on making a digital portrait of any famous celebrity, in this case, Hollywood’s own Scarlett Johansson.
Fixing the Canvas and Preparing the Outline.
The process of portrait begins by fixing of the canvas. This is achieved through Photoshop, where a new file is opened with an A3 size. This is followed by creating an outline of the image using a red colour, on a new layer. The colour red is selected because it highlights profiles and edges in the middle of the painting. Then, marking of highlights and shadows in a new layer using red colour and a textured brush with opacity 7% and 14%.
Filling Base Colour for Skin.
Once the above step is completed to satisfaction, a colour palette of shades, tints and neutrals are made for the skin. A new layer is then added and a neutral colour with full opacity is used as the base colour for the body. At this point, any colour exceeding outlines is erased.
Detailing the Face.
This is then followed by creating a new layer yet again, where the base colour of the eyes is filled using a brush with full opacity. Here, colours exceeding any outline are erased. Subsequently, a new layer is created for highlights, shadows and details for the eyes. The next step requires painting in highlights and shadows of the nose and other facial areas using a colour palette with a textured brush bearing 7%, 14% and 21% opacities.
Detailing the Lips.
Following the fixed colour palette, a base colour is filled with 100% opacity first for the lips. Highlights and shadows of the lips are drawn in a new layer with a small size textured brush with 7% opacity. Using a small brush at this point enhances precision and detail.
Painting Rest of the Skin.
Going further down, shadows and highlights of the neck area, collarbone and chest are painted using the colour palette for the skin. Used a textured brush of opacity 7% and 14% in a new layer.
Painting the Dress.
In a similar way, the base colour, shadows and highlights of the dress and its drapes are painted. Here too, a separate colour palette is fixed for this.