“The way I achieved this look was to push the colour brightness, while ensuring tonal harmony. I studied a lot of
Richard Schmid’s painting and learned how he managed to paint with broad and rough brush strokes.”
Joseph has created such vivid depictions of his subjects that the reader could be forgiven for feeling like they are now intimately acquainted, to the point of knowing their coffee order and how they like their eggs done.
For Joseph, who’s already an award-winning portrait artist, the main challenge was not to go overboard with detail.
“In digital painting we can keep refining endlessly, however in real oil painting the detail level will be limited to the media and the size of the canvas. So I had to always remind myself not to over do the details.”