D I G I T A L A S S E T C R E A T I O N
DM096V3S
DM096V3S
U N I T O N E
P R O J E C T O N E - I N N E R M O N O L O G U E
R I C H U N I T A C T I V T Y - C H A R A C T E R D E S I G N & S O U N D B O A R D
C O N C E P T A R T :
H E R O D E S C R I P T I O N :
The hero is a good willed person with a wild personality. He has the gift of manipulating fire so hot that it is blue. He is dressed in mainly black and dark blue. His hair is spiky to match his attitude. The hero is not one who will give up easily and tries to keep the situation light no matter what predicament he is in.
V I L L A I N D E S C R I P T I O N :
The villain is a very strong man who also has the gift of fire. His fire is a bright red that comes in large blasts. He wears red pants with a black belt and he is very well built. He knows he is strong so he teases the hero and tries to mess with him. He will insult the hero at any opportunity.
U N I T T W O
P R O J E C T O N E - B R A I N S T O R M I N G
1. Why must they create every single sound for animations and games?
They must do this because animations and games don't come with sound.
2. Why can't actors/actresses actually smash a glass to have the real effect?
There are a number of problems like having to buy more glass if the effect was not good, cleaning up, getting cuts, etc.
3. Why can't actors/actresses use real explosions?
A real explosion would blow the mic and possibly hurt people on set.
4. Why can't movie crews install a real phone that actually calls the actor/actress?
It is a lot of work installing the phone and getting a connection versus just acting it out with a prop.
5. Why can't actors/actresses attach microphones to their ankles to record the actual sounds?
This may be because sound that you don't want or need might be picked up. The camera may also see the mic setup.
6. Why can't actors/stuntmen and actresses/stunt women do their own fight scenes and actually make contact to make it look real??
A real fight is dangerous and the ones involved may be seriously injured, affecting their career.
7. How do sound designers/directors know what all these science fiction sounds are supposed to sound like?
It's likely that sound designers/directors use their imagination and educated guesses as to what those sounds might be like.
