A continuous project, in my industrial landscape series I explore how humanity transforms the natural environment to fit its own needs. My approach to this subject is that of the Deadpan aesthetic (in Charlotte Cotton - The Photograph as Contemporary Art) which is an approach that provides me with the opportunity to distance myself emotionally from the subject and this way create documentary photography that is distinct from traditional journalism. I merely mean to raise questions and to represent, the answers are left for the viewer to find.