Courtesy of ✧
Begin
4
Introduction to Foley Art
Purse Thief
Cue Lists
Wading water with a boat attached to it. Seems like wind is blowing against the water to approve motion to it. (:00-:10 and throughout)
- Could blow into microphone to reenact light wind.
Lightly slosh water around in a filled sink to represent floating boat.
Her cotton clothing moving. (:02- and throughout)
- Rub clothing together.
Running fingers through hair; move, pause, then move. (:03-:05)
- Distress own hair to create sound.
Holding and stressing the leather bag. Pulling leather strap over head (:08-:16)
- Strings, crumpling leather to produce sound.
Clipping of magnetic lock. (:09 and :12)
- Clicking of the carabiners.
The unloading of a flip phone (:16)
- Removing a calculator case from a calculator.
Sighing of a woman. Slapping her hand on her lap. (:18)
- Manipulation of one’s voice to conceive a sigh of a woman. Lightly dropping you hands over a stack of clothing.
Clicking and clacking of a flip phone. (:21-:27)
- Calculator.
Walking of rubber shoes on cement. (:22-:27)
- Regular rubber shoes on regular pavement.
Propping down a book on a wooden, metal, plastic, bench. (:29)
- Dropping a book towards a piece of wood.
Running of rubber shoes on cement. (:27-:39)
- Regular rubber shoes on regular pavement.
Shoes stepping on to metal steps. (:38-:42)
- Hitting something that is hollow and metallic like.
- Hitting something that is hollow and metallic like.
Heavy Breathing due to running. (:27-:39)
- Natural manipulated breaths to constitute a breathing noise when running.
Jogging briskly on freight train marking. (:43-:46)
- Jogging on concrete.
Female takes leather bag back. (:48)
- Manipulation and distortion of leather to create such sound.
Female hugging the guy. (:49)
- Real hugging.
Cue List from Excel
Production Photos
5
Screenplay analysis questions - Inglorious Basterds opening scene
1. How does the action writing indicate Hanz Landa is playing mind games with LaPadite?
2. How does the action writing in the screenplay indicate who has control (or a lack thereof)?
3. How does the dialogue communicate information about the character speaking?
1) In the action writing of Inglourious Basterds, Hanz Landa plays mind games with LaPadite by making tiny queues in his actions to keep the situation on end whereas by using the objects around him or by conversational. He uses the glass of milk of his to create an atmosphere.Where he uses the loudness of hitting his glass on the table to assert his dominance indirectly because he’s able to make loud noises while LaPadite feels like he can’t. Hanz also sets up false actions to make LaPadite believe that he’s safe. By seeming to accept LaPadite’s answer, he sets up false sense that he doesn’t suspect a thing and that he’s been duped by LaPadite. Whether by using the atmosphere to his advantage or by making LaPadite believe he’s not suspicious, Hanz Landa plays dangerous mind games with the French farmer.
2) The action writing of Inglourious Basterds indicates who had control by adding how Hanz Landa and LaPadite are acting throughout the conversion with feeling. During the part where LaPadite starts worrying, Hanz seizes more control. The farmer’s cool head is now decomposing; slowly making LaPadite express obvious queues that he’s lying to Landa. Hanz’s control continues to overpower LaPadite. The script expresses his actions as very calm. By using the word “he continues” and “enjoys”, it shows how Landa has so much control over the situation that he leads it and can enjoy his milk as calm as ever. The action writing gives tiny switches of words that show who is in control in the situation and most of the time, Landa’s in control.
3) The dialogue of Inglourious Basterds communicates information of the character speaking whether by LaPadite’s love for his family or Landa’s manipulative personality. LaPadite shows his love for his family while telling an order to his daughter. LaPadite’s concern for his family is evident because he wants the daughter to take care of their mother and make sure she doesn’t show that their scared by running. Landa shows his manipulative personality and intent by seeming like he’s asking questions, but it is actually orders. Landa expresses a manipulative question. This is manipulative because it makes LaPadite feel like he might have some power by forming the sentence as a yes or no questions but in reality, yes is the only option LaPadite has. All this shows is LaPadite’s concern for his family and Landa’s manipulative personality are evident in the dialogue.
Screenplay Production
Sean:
- Peter works in the library, Ellie is still a student
- Peter desperately still wants her
- He’s the reason why they broke up, he wasn’t too serious about their relationship
- They’re not going to get back together
Justin:
- Peter Is the librarian, Ellie is a reoccurring customer
- had an argument before ruining their relationship but they still have feelings for each other
- relationship started at the library when they first met
- relationship ended by going too fast, explains why Ellie acts like they already know each other
- Ellie is older than Peter
- Peter is some type of escape from all of Ellie’s responsibilities
Christian:
- In there early 20s,
- Peter seems like a generic white guy
- Ellie is more mature, trying not to talk about it, but Peter is trying to get answers while being immature about it
- Takes place in a Library
Dayne:
- Break up is vague, not too much info, peter left Ellie
- Ellie is quiet over their relationship, peter is not
- Through the dialogue peter is seen as playful
- They were in a long term relationship, but broke up in the end, scene takes place in a post break up scenario
Jayson:
- They were playing a game where a question is answered by a line from a book.
- They used to be in a relationship and it didn’t end well.
- They are going to get back together.
- They both seem dramatic; very emotional
Screenplay
Storyboard
BTS Shots
Timeline
Edit
End
