The topic is based on audiences’ kitsch mentality in Spring Festival Gala Evening of China. I discuss the relationship between social public field and private emotional field and criticize kidnapping of powerful order on private emotion under high central centralization.

In the mutually closed space, the abstract modular elements of Spring Festival Gala are used as space compositions. Moreover, a layer of game rule is encrypted. In the space, the kitsch mentality is compared to the authorized signpost in labyrinth. The interactive behavior of seeing and being seen in space creates a kind of insensible experience feeling.