I have always had a fondness for the work generated at the Bauhaus; the simplicity of shape, the austere use of photography and experimentation with angles. So, when I was considering what direction my next font should take, Bauhaus was a natural. Embauhaus was born.
I did consider making this a caps only design, but usability made me draw a lower case, figuring that a full character set would be more marketable.
After studying the geometic letterforms I decided to make some alterations, the most obvious being the lower case x and m. With the x, I decided to go with a more traditional design of two crossed strokes rather than two arcs abutting. With the m, I decided to make the space between the vertical stems fifty percent of the inner o.
You can buy it at Fonts.com
I did consider making this a caps only design, but usability made me draw a lower case, figuring that a full character set would be more marketable.
After studying the geometic letterforms I decided to make some alterations, the most obvious being the lower case x and m. With the x, I decided to go with a more traditional design of two crossed strokes rather than two arcs abutting. With the m, I decided to make the space between the vertical stems fifty percent of the inner o.
You can buy it at Fonts.com
