INCARNAZIONE
WORK-IN-PROGRESS DURING
HERE -TORINO - CAVALLERIZZA REALE
18/28 Maggio 2017
18/28 Maggio 2017
4°piano, stanza 41f
INCARNAZIONE
progetto in loco di scultura interattiva
Tavolette di argilla fresca destinate a ricevere lo stampo di una parte del corpo delle persone presenti, segno del loro passaggio, tra impronta digitale e tavolette mesopotamiche, linguaggio corporale perché ogni persona sceglie quale parte di sé imprimere nella creta, la affida alla terra come se fosse un segno distintivo.
L'argilla, ricettiva, evidenzia l’impatto concreto dell’esistenza nel mondo spazio-temporale. HERE and NOW…
INCARNATION
projet de sculpture interactive sur place
Tablettes d'argile fraiche destinées à recevoir l'empreinte d'une partie du corps des personnes présentes, signe de leur passage, entre l'empreinte digitale et les tablettes mesopotamiques, langage corporel parceque chaque personne choisit quelle partie de soi imprimer dans la terre, la confie à la terre comme si c'était un signe distinctif.
L'argile, réceptive, met en evidence l’impact concret de l’existence dans le monde spatio-temporel. HERE and NOW…
INCARNATION
project of interactive sculpture site specific
Tablets of fresh clay intended to receive the print of part of the body of the present people, sign of their passage, between fingerprint and mesopotamic tablets, body language because each person chooses what part of himself to print in the clay, entrusts it to the clay as if it were a distinctive sign.
The receptive clay reveals the concrete impact of existence in the spatio-temporal world. HERE and NOW ...
project of interactive sculpture site specific
Tablets of fresh clay intended to receive the print of part of the body of the present people, sign of their passage, between fingerprint and mesopotamic tablets, body language because each person chooses what part of himself to print in the clay, entrusts it to the clay as if it were a distinctive sign.
The receptive clay reveals the concrete impact of existence in the spatio-temporal world. HERE and NOW ...
