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"Gentle fragmentarium" is a project based on the ambiguity of perception - or better said, on the game of perception: a series of portraits or, rather of the elements that accumulate to make up the portrait. The ”image” is the assembly of the elements and objects that build up the identity of a person, but most of all that becomes a "fog", instead of a way of communicating; we fabricate our visible “identities” in order to be socially accepted and acknowledged; but end up being unable to relate to ourselves, so becoming unable to genuinely relate to others.
 The image becomes “storage” of the emotional self, thus becoming reference for communication and interaction. The project questions the manner in which the Other is "decomposed" and rebuilt, within the layers of intimacy. It is a “gentle” analysis on the  emotional appropriative path of the Beholder and the outside context’s influence on the pattern of the image’s construct.

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