Although my main course - so to speak - is sculpting, I seldom enjoy painting. With shaky hands and a temper for failures, satisfaction for the result is uncommon. My fascination mostly lies within colours and textures, which also overlaps with the sculpting I occupy myself with. I love mixing colours for hours and hours and usually paint with many opaque layers.
One could point out that my fondness with the contrasts and overlapping of strong and delicate materials and consepts is also visible from my line of painting. I try to achieve something that is both easy and sensitive and at the same time strong and captivating.