This is something I worked on mid '09 as part of my portfolio building. The final numbers ended up at just over 4.7 million polys, 2 hours torender, 3 separate AO passes, and about an hour of composing inphotoshop.
On 8/12/09 I got an email from Sam Robson, sub-editor for3DArtist, he wanted to feature this piece in the magazine. Later the same day I got an email from his boss saying that they would like to make it a six page feature and tutorial. And on 8/14/09 the paperwork was signed making it official that this would be featured in the mid october issue of 3DArtist.
On 8/12/09 I got an email from Sam Robson, sub-editor for3DArtist, he wanted to feature this piece in the magazine. Later the same day I got an email from his boss saying that they would like to make it a six page feature and tutorial. And on 8/14/09 the paperwork was signed making it official that this would be featured in the mid october issue of 3DArtist.
The next few are some work in progress test renders.
And this is the final image that was featured in the magazine.
