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    same if we accept the reception capability, the moment that favors direct experience with audiences and critics, and that certainly helps us to p… Read More
    same if we accept the reception capability, the moment that favors direct experience with audiences and critics, and that certainly helps us to perceive the virtuosity of the author in order to carry out a transformation of art genre productions in art showcase high value photographic image as upgraded the author's inner world just becomes a seductive adventure Few authors have the self-imposed limits seem so much engaged to leave no alternative to the audience to choose between aesthetics events and aesthetics work authors sophisticated dosing great deal of visual art that in this cycle in a special way, using new media and technology closer to new cultures art added to the title of irreducibility is sufficient one look out the window to the case of assisted and interpretations of the phenomenon in contemporary art by Boris Groys in which he talks about the irony as the process by which is done revolving around the traditional aesthetic categories such as beauty, sublimity and experiences that. all that is implied by Marcel Dushamp readyimages aesthetics banjalnosti and the ordinary world around us absolutely transform the possibility of joyful fetishism of the new entity window. view. building. time. crossing. transience. game. event. magical power that the multiplication of one selected motifs artist translates his idea from the sphere of banality and monotony in innovative identity as the art najcesve called Artist approaching artists who like Monet analyzed the coexistence of time and object Recognizing the relativity of all that we see and what we believe in on the other hand it to an entirely new way of talking about the time in which she lives contrary to Robert Hausser who also similar method of repetition in the work of 21 door Benito Mussolini speaks of temporality rule a historical personality. a similar method and the end result completely different procedure that witnesses are able translation seen and selected in a completely new context and tuamacenje absolutely certain artist's reflection of the world and phenomena that surround it actual language spoken artist has its points of contact with the research David Hockney as the author of this its cycle does research relations between photography and paiting just as it seemed and Hockney in 1979 his work Husbandry and east riding on a retrospective exhibition at the Ludwig Muesum in Cologne photography is changing established jigs accustomed and expected artistic situation and opens up to new artistic experiences and solutions not limited in time nor historical artistic sense artist now very deliberately analyze all the elements of which can be layered so read architectural structural arrangement of their compositions such as Otto Steinert or Karl Hugo Schmolz skillfully arranges the final grids that space and the space in between activated as a present to them the importance of adding Mondrians depersonalize avant-gardism in the photograph of the artist lies in experimentation and unhidden openness and willingness to repackage avant-garde of the early twentieth century and to the fans of semantic and symbolic perspective offered their art articulated structure to them seeking possible points Art is in constant search for the truth about herself and this cycle is a fragment of that aestheticsed movement organized in the new Fotma photographic vocabulary signed and archived in the cultural archive of today by Artist if we accept the reception capability, the moment that favors direct experience with audiences and critics, and that certainly helps us to perceive the virtuosity of the author in order to carry out a transformation of art genre productions in art showcase high value photographic image as upgraded the author's inner world just becomes a seductive adventure Few authors have the self-imposed limits seem so much engaged to leave no alternative to the audience to choose between aesthetics events and aesthetics work authors sophisticated dosing great deal of visual art that in this cycle in a special way, using new media and technology closer to new cultures art added to the title of irreducibility is sufficient one look out the window to the case of assisted and interpretations of the phenomenon in contemporary art by Boris Groys in which he talks about the irony as the process by which is done revolving around the traditional aesthetic categories such as beauty, sublimity and experiences that. all that is implied by Marcel Dushamp readyimages aesthetics banjalnosti and the ordinary world around us absolutely transform the possibility of joyful fetishism of the new entity window. view. building. time. crossing. transience. game. event. magical power that the multiplication of one selected motifs artist translates his idea from the sphere of banality and monotony in innovative identity as the art najcesve called Artist approaching artists who like Monet analyzed the coexistence of time and object Recognizing the relativity of all that we see and what we believe in on the other hand it to an entirely new way of talking about the time in which she lives contrary to Robert Hausser who also similar method of repetition in the work of 21 door Benito Mussolini speaks of temporality rule a historical personality. a similar method and the end result completely different procedure that witnesses are able translation seen and selected in a completely new context and tuamacenje absolutely certain artist's reflection of the world and phenomena that surround it actual language spoken artist has its points of contact with the research David Hockney as the author of this its cycle does research relations between photography and paiting just as it seemed and Hockney in 1979 his work Husbandry and east riding on a retrospective exhibition at the Ludwig Muesum in Cologne photography is changing established jigs accustomed and expected artistic situation and opens up to new artistic experiences and solutions not limited in time nor historical artistic sense artist now very deliberately analyze all the elements of which can be layered so read architectural structural arrangement of their compositions such as Otto Steinert or Karl Hugo Schmolz skillfully arranges the final grids that space and the space in between activated as a present to them the importance of adding Mondrians depersonalize avant-gardism in the photograph of the artist lies in experimentation and unhidden openness and willingness to repackage avant-garde of the early twentieth century and to the fans of semantic and symbolic perspective offered their art articulated structure to them seeking possible points Art is in constant search for the truth about herself and this cycle is a fragment of that aestheticsed movement organized in the new Fotma photographic vocabulary signed and archived in the cultural archive of today by Artist if we accept the reception capability, the moment that favors direct experience with audiences and critics, and that certainly helps us to perceive the virtuosity of the author in order to carry out a transformation of art genre productions in art showcase high value photographic image as upgraded the author's inner world just becomes a seductive adventure Few authors have the self-imposed limits seem so much engaged to leave no alternative to the audience to choose between aesthetics events and aesthetics work authors sophisticated dosing great deal of visual art that in this cycle in a special way, using new media and technology closer to new cultures art added to the title of irreducibility is sufficient one look out the window to the case of assisted and interpretations of the phenomenon in contemporary art by Boris Groys in which he talks about the irony as the process by which is done revolving around the traditional aesthetic categories such as beauty, sublimity and experiences that. all that is implied by Marcel Dushamp readyimages aesthetics banjalnosti and the ordinary world around us absolutely transform the possibility of joyful fetishism of the new entity window. view. building. time. crossing. transience. game. event. magical power that the multiplication of one selected motifs artist translates his idea from the sphere of banality and monotony in innovative identity as the art najcesve called Artist approaching artists who like Monet analyzed the coexistence of time and object Recognizing the relativity of all that we see and what we believe in on the other hand it to an entirely new way of talking about the time in which she lives contrary to Robert Hausser who also similar method of repetition in the work of 21 door Benito Mussolini speaks of temporality rule a historical personality. a similar method and the end result completely different procedure that witnesses are able translation seen and selected in a completely new context and tuamacenje absolutely certain artist's reflection of the world and phenomena that surround it actual language spoken artist has its points of contact with the research David Hockney as the author of this its cycle does research relations between photography and paiting just as it seemed and Hockney in 1979 his work Husbandry and east riding on a retrospective exhibition at the Ludwig Muesum in Cologne photography is changing established jigs accustomed and expected artistic situation and opens up to new artistic experiences and solutions not limited in time nor historical artistic sense artist now very deliberately analyze all the elements of which can be layered so read architectural structural arrangement of their compositions such as Otto Steinert or Karl Hugo Schmolz skillfully arranges the final grids that space and the space in between activated as a present to them the importance of adding Mondrians depersonalize avant-gardism in the photograph of the artist lies in experimentation and unhidden openness and willingness to repackage avant-garde of the early twentieth century and to the fans of semantic and symbolic perspective offered their art articulated structure to them seeking possible points Art is in constant search for the truth about herself and this cycle is a fragment of that aestheticsed movement organized in the new Fotma photographic vocabulary signed and archived in the cultural archive of today by Artist if we accept the reception capability, the moment that favors direct experience with audiences and critics, and that certainly helps us to perceive the virtuosity of the author in order to carry out a transformation of art genre productions in art showcase high value photographic image as upgraded the author's inner world just becomes a seductive adventure Few authors have the self-imposed limits seem so much engaged to leave no alternative to the audience to choose between aesthetics events and aesthetics work authors sophisticated dosing great deal of visual art that in this cycle in a special way, using new media and technology closer to new cultures art added to the title of irreducibility is sufficient one look out the window to the case of assisted and interpretations of the phenomenon in contemporary art by Boris Groys in which he talks about the irony as the process by which is done revolving around the traditional aesthetic categories such as beauty, sublimity and experiences that. all that is implied by Marcel Dushamp readyimages aesthetics banjalnosti and the ordinary world around us absolutely transform the possibility of joyful fetishism of the new entity window. view. building. time. crossing. transience. game. event. magical power that the multiplication of one selected motifs artist translates his idea from the sphere of banality and monotony in innovative identity as the art najcesve called Artist approaching artists who like Monet analyzed the coexistence of time and object Recognizing the relativity of all that we see and what we believe in on the other hand it to an entirely new way of talking about the time in which she lives contrary to Robert Hausser who also similar method of repetition in the work of 21 door Benito Mussolini speaks of temporality rule a historical personality. a similar method and the end result completely different procedure that witnesses are able translation seen and selected in a completely new context and tuamacenje absolutely certain artist's reflection of the world and phenomena that surround it actual language spoken artist has its points of contact with the research David Hockney as the author of this its cycle does research relations between photography and paiting just as it seemed and Hockney in 1979 his work Husbandry and east riding on a retrospective exhibition at the Ludwig Muesum in Cologne photography is changing established jigs accustomed and expected artistic situation and opens up to new artistic experiences and solutions not limited in time nor historical artistic sense artist now very deliberately analyze all the elements of which can be layered so read architectural structural arrangement of their compositions such as Otto Steinert or Karl Hugo Schmolz skillfully arranges the final grids that space and the space in between activated as a present to them the importance of adding Mondrians depersonalize avant-gardism in the photograph of the artist lies in experimentation and unhidden openness and willingness to repackage avant-garde of the early twentieth century and to the fans of semantic and symbolic perspective offered their art articulated structure to them seeking possible points Art is in constant search for the truth about herself and this cycle is a fragment of that aestheticsed movement organized in the new Fotma photographic vocabulary signed and archived in the cultural archive of today by Artist Read Less
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